It’s inspired by the playful design of ASTRO’s trusty Dual Speeder. Go behind the scenes in this five-part series with Team ASOBI to discover how their philosophy of “All About PLAY” created a super-sized space adventure game for everyone. Kenneth C. M. Young, having previously composed the music for Astro Bot Rescue Mission and Astro’s Playroom, returned to compose the soundtrack for Astro Bot. The Gamers Lounge is a video game news, review and opinion site run by gamers like you. Astro Bot on PS5 feels like the culmination of every Team Asobi project before it.

Team Asobi has shipped the kind of polished product you expect from the best developers – refined to a fine sheen, excellent performance and clever solutions for every possible rough edge. Loading between levels never robs you of control and is super fast. It feels finely tuned from top to bottom and I think that’s something to commend.

The boss fights deliver on visual spectacle, have a nice challenge to them, and above all, are fun to conquer. Besides the main bosses, mini-bosses pop up in other levels unexpectedly, and they are also a lot of fun to fight. Like Team Asobi’s previous games, Astro Bot revolves around a community of tiny white robots. Following the events of Astro’s Playroom, they are attacked by the evil green alien that served as the final boss of Rescue Mission, destroying their PS5 spaceship and scattering them across the cosmos.

This is one of the only PS5 games that really feels like it was built around the DualSense, and it shows. At one time, this was a fundamental video game experience; a 3D platformer was just about the coolest game you could have. These were tightly designed adventures that understood the ways that digital play could activate creativity, even through a silly little cartoon with nothing to say.

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Now, I’m sure the gamers who haven’t tasted the sweet joys of Astro Bot yet will agree with me once they get their hands on this PlayStation title. So, congratulations on your well-deserved award and success, Team ASOBI. I’m indebted to you for pulling me back into the world of platformers. Instead of leaping to the boss fight, approach the large snowball that’s being nurtured by two penguins — after you defeat all the enemies.

It uses the opportunity to show its love for PlayStation history. These occasionally repetitive enemies are also an important part of Astro Bot’s difficulty. The main levels are never too tough – the real challenge is finding all the bots and collectibles – but there are special secret levels that test your skill.

With that tool and a bit of post-launch content updates, Astro Bot’s fun could last a lot longer than it does, and that would be a welcome inclusion for a game with a short run time. Still, any frustration with the game ultimately stems from wanting more of what Astro Bot provides, which at its core is a top-tier platformer with innovation, charm, and enjoyment to spare. In this way, Astro Bot gates a small but not insignificant portion of its best material behind a skill check that some of its audience won’t pass. Its best attribute, a rumble feature more nuanced than what other controllers provide, is also simpler than all of the DualSense’s high-end abilities that sometimes come off as gimmicky. rr99 did away with some of them from Astro’s Playroom, such as using the center touchpad to unzip some blockades. Instead, this is done with the joystick, suggesting Team Asobi found it best to keep players’ hands off the somewhat clunky touchpad this time around.

I hate the level design, totally unbalenced when compared to the rest of the game. Essentially, here, key mechanics from the most recent God of War are put to use – specifically the axe where you can throw, freeze and retrieve the axe. This puts a completely different spin on platforming and combat. But they go even further to the point of referencing those narrow passages you often see in big AAA cinematic titles where the camera pulls in and your character slowly makes their way through it. The game is constantly toying with expectations, introducing ideas and concepts you might never have expected – it’s overflowing with fun. On top of all this, Astro Bot is basically a tribute to PlayStation’s history and, in fact, in some ways, the medium as a whole.

The crew celebrates with a revived Astro, who departs once more on his Dual Speeder before the credits start to roll again. Astro Bot is special, a beaming reminder that bright, unfettered play is a truly wonderful thing. While enemies and themes could have used more variety, Astro Bot is a sure-fire Game of the Year contender and poised to be one of PlayStation 5’s signature titles that’s well deserving of said namesake.

Everything constantly moves around you, imbuing every level with life beyond the scraps you’ll engage in with the game’s enemies. Each level’s theme is brought to life with aesthetic assets and design ideas that strengthen their themes. That said, it’s rather easy to get sucked into the charm of Astro Bot and get lost in the nostalgia of it all.

It’s a riot of collectibles and hub world distractions, and it’s thought about your time, too, and how to make the best of it. It’s unlikely that Astro Bot will save the world, let alone be successful enough to appease a company chasing endless growth, but it’s a game that we so desperately need. I don’t read the PlayStation history references as brand advertisements so much as Team Asobi trying to remind Sony of what it has lost in the PS5 era.

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Microsoft’s purchase of Rare, a studio that had created platformers with mascot-like characters for Nintendo, almost seemed like an afterthought. While today PlayStation’s headquarters may be located in San Mateo, California, the history of Sony’s beloved video game console brand started in the early 1990s in Tokyo, Japan. Ken Kutaragi – who would later become known as the father of PlayStation – had been working together with Nintendo on a CD-ROM add-on for the Super Nintendo. When this got canceled, Kutaragi went to Norio Ohga (Sony’s CEO at the time) with the proposal of making Sony’s own console.

Won’t be surprised at all if AB wins though which is great for Sony! @UltimateOtaku91 Yeah I love Rebirth and Helldivers as well but I’ve never played Balatro. Not exactly my jam – but it would seem this, like other games before it, are fun to be had by anyone.

This isn’t something that directly influences the core gameplay but it makes it feel better. There are games that remind us why we fell in love with video games in the first place. It’s a phenomenally polished title, featuring great audiovisuals and, above all, brilliant gameplay that never gets boring. It’s also a family-friendly game, perfect for everyone to enjoy together. It’s also worth noting that, before you rescue them, none of the characters do anything that is in anyway related to them or their games.